1st International Conference and 10th European Event on Evolutionary and Biologically Inspired Music, Sound, Art and Designevomusart 2012 is the tenth European event on Evolutionary Music and Art. Following the success of previous events and the importance of the field of evolutionary and biologically inspired music, sound, art and design, evomusart has became a evo* conference with independent proceedings. Thus, evomusart 2012 is the tenth European Event on Evolutionary and Biologically Inspired Music, Sound, Art and Design and the first conference on the field.The use of biologically inspired techniques for the development of artistic systems is a recent, exciting and significant area of research. There is a growing interest in the application of these techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks.The main goal of evomusart 2012 is to bring together researchers who are using biologically inspired computer techniques for artistic tasks, providing the opportunity to promote, present and discuss ongoing work in the area.The event will be held from 11-13 April, 2012 in Malaga, Spain as part of the evostar event.Accepted papers will be presented orally at the event and included in the evomusart proceedings, published by Springer Verlag in a dedicated volume of the Lecture Notes in Computer Science series.Topics of interestThe papers should concern the use of biologically inspired computer techniques - e.g. Evolutionary Computation, Artificial Life, Artificial Neural Networks, Swarm Intelligence, other artificial intelligence techniques. – in the scope of the generation, analysis and interpretation of art, music, design, architecture and other artistic fields. Topics of interest include, but are not limited to:GenerationBiologically Inspired Design and Art – Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings, etc.;Biologically Inspired Sound and Music – Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis, etc.;Robotic Based Evolutionary Art and Music;Other related artificial intelligence or generative techniques – in the fields of Computer Music, Computer Art;TheoryComputational Aesthetics, Experimental Aesthetics; o Emotional Response, Surprise, Novelty;Representation techniques;Surveys of the current state-of-the-art in the area; identification of weaknesses and strengths; comparative analysis and classification;Validation methodologies;Studies on the applicability of these techniques to related areas;New models designed to promote the creative potential of biologically inspired computation;Computer Aided Creativity and computational creativitySystems in which biologically inspired computation is used to promote the creativity of a human user;New ways of integrating the user in the evolutionary cycle;Analysis and evaluation of: the artistic potential of biologically inspired art and music; the artistic processes inherent to these approaches; the resulting artifacts;Collaborative distributed artificial art environments;AutomationTechniques for automatic fitness assignment;Systems in which an analysis or interpretation of the artworks is used in conjunction with biologically inspired techniques to produce novel objects;Systems that resort to biologically inspired computation to perform the analysis of image, music, sound, sculpture, or some other types of artistic object;Previous eventsPrevious evostar events here.Important DatesSubmission: 30 November 2011Conference: 11-13 April 2012Additional information and submission detailsSubmit your manuscript, at most 12 A4 pages long, in Springer LNCS format (instructions downloadable from http://www.springeronline.com/sgw/cda/frontpage/0,11855,5-164-2-72376-0,00.html) no later than November 30, 2011 to site http://myreview.csregistry.org/evomusart12The reviewing process will be double-blind, please omit information about the authors in the submitted paper.Programme committeeAdrian Carballal, University of A Coruna, SpainAlain Lioret, Paris 8 University, FranceAlan Dorin, Monash University, AustraliaAlejandro Pazos, University of A Coruna, SpainAmilcar Cardoso, University of Coimbra, PortugalAmy K. Hoover, University of Central Florida, USAAndrew Gildfind, Google, Inc., AustraliaAndrew Horner, University of Science & Technology, Hong KongAnna Ursyn, University of Northern Colorado, USAAntonino Santos, University of A Coruna, SpainArtemis Sanchez Moroni, Renato Archer Research Center, BrazilBenjamin Schroeder, Ohio State University, USABill Manaris, College of Charleston, USABrian Ross, Brock University, CanadaCarlos Grilo, Instituto Politécnico de Leiria, PortugalChristian Jacob , University of Calgary, CanadaColin Johnson, University of Kent, UKDan Ashlock, University of Guelph, CanadaDaniel Bisig , University of Zurich, SwitzerlandDaniel Jones, Middlesex University, UKEduardo Miranda, University of Plymouth, UKEelco den Heijer, Vrije Universiteit Amsterdam, NetherlandsErwin Driessens, Independent Artist, NetherlandsGary Greenfield, University of Richmond, USAGary Nelson, Oberlin College, USAHans Dehlinger, Independent Artist, GermanyJ. E. Rowe, University of Birmingham, UKJames McDermott, University of Limerick, IrelandJon Bird, University of Sussex, UKJon McCormack, college of Charleston, AustraliaJosé Fornari, NICS/Unicamp, BrazilJuan Romero, University of A Coruna, SpainKenneth O. Stanley, University of Central Florida, USALuigi Pagliarini, University of Southern Denmark, ItalyMarcelo Freitas Caetano, IRCAM, FranceMarcos Nadal, University of Illes Balears, SpainMaria Verstappen, Independent Artist, NetherlandsMatthew Lewis, Ohio State University, USAMitchell Whitelaw, University of Canberra, AustraliaNicolas Monmarché, University of Tours, FranceOliver Bown, Monash University, AustraliaPalle Dahlstedt, Göteborg University, SwedenPaul Brown, University of Sussex, UKPaulo Urbano, Universidade de Lisboa , PortugalPedro Cruz, University of Coimbra, PortugalPenousal Machado, University of Coimbra, PortugalPeter Bentley, University College London , UKPeter Cariani , University of Binghamton, USAPhilip Galanter, Texas A&M College of Architecture, USARafael Ramirez, Pompeu Fabra University, SpainRoger Malina, International Society for the Arts, Sciences and Technology, USAScott Draves, Independent Artist, USASimon Colton, Imperial College, UKSomnuk Phon-Amnuaisuk, University Tunku Abdul Rahman, MalaysiaStephen Todd, IBM, UKTim Blackwell, Goldsmiths College, University of London, UKTroy Innocent , Monash University, AustraliaVic Ciesielski, RMIT, AustraliaYang Li, University of Science and Technology Beijing, ChinaConference chairsJuan RomeroUniversity of A Coruna, Spainjj(at)udc.esPenousal MachadoUniversity of Coimbra, Portugalmachado(at)dei.uc.ptPublication chairAdrian CarballalUniversity of A Coruna, Spainadrian.carballal(at)udc.es
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